The Poetics of Repetition in English and Chinese Lyric Poetry
The Poetics of Repetition in English and Chinese Lyric Poetry
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Abstract
For more than half a century, Chinese-Western comparative literature has been recognized as a formal academic discipline, but critics and scholars in the field have done little to develop a viable, common basis for comparison between these disparate literatures. This book establishes repetition as the ideal perspective from which to compare the poetry and poetics from these two traditions. The book contends that repetition is at the heart of all that defines the lyric as a unique art form and, by closely examining its use in Chinese and Western poetry, it demonstrates how one can identify important points of convergence and divergence. Through a representative sampling of poems from both traditions, the book illustrates how the irreducible generic nature of the lyric transcends linguistic and cultural barriers, but also reveals the fundamental distinctions between the traditions. Most crucially, it dissects the two radically different conceptualizations of reality–mimesis and xing–that serve as underlying principles for the poetic practices of each tradition.
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Front Matter
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Prologue Setting Repetition in Its Larger Cultural Context
Cecile Chu-chin Sun
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1
Repetition as the Common Basis for Comparison
Cecile Chu-chin Sun
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2
The Overt Mode of Repetition: Sound
Cecile Chu-chin Sun
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3
The Covert Mode of Repetition: Sense
Cecile Chu-chin Sun
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4
Mimesis and Xing
Cecile Chu-chin Sun
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Epilogue The Telos of Poetic Repetition: The Telos of Poetic Repetition
Cecile Chu-chin Sun
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End Matter
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