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Silent Emphasis: From Glanvill to Glanville Silent Emphasis: From Glanvill to Glanville
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Arabella’s Air Arabella’s Air
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The Devil in Miss Arabella The Devil in Miss Arabella
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The Cure of Arabella’s Mind The Cure of Arabella’s Mind
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7 Glanvill’s Ghost, Cold Sociability, and “the Cure of Arabella’s Mind”
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Published:November 2012
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Abstract
Charlotte Lennox’s female Quixote, Arabella, emerged on the London literary scene just three years after Tom Jones. This chapter first discusses the conversion of Arabella through Catherine Gallagher’s piece, “the Cure of Arabella’s Mind.” It suggests that “the Cure of Arabella’s Mind” is more invested in mediated environments which mix material and immaterial rather than transition and social facts—as most would conclude. The chapter explores the character and conversion of Arabella, whereby, in her attempt to stop believing in apparitions she must herself become one. As a result, the novel presents a sphere of sensory possibility and tests its edges, which, in turn, produces the “romantic” dimension of modern literary realism that today goes by the term atmosphere.
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