Speaking the Unspeakable: Religion, Misogyny, and the Uncanny Mother in Freud's Cultural Texts
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The Counterthesis in Contemporary Culture The Counterthesis in Contemporary Culture
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Implications For the Study of Religion Implications For the Study of Religion
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Telling Secrets Telling Secrets
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Epilogue: Guessing at What Lies Beneath
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Published:03 December 2001
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Extract
Much of what we do as scholars involves creating or selecting patterns within texts and fashioning those patterns into coherent narratives about the texts. We develop meaningful narratives out of other narratives in a process involving creation and discovery at the same time. Freud's major creation and discovery was the Oedipal theory with which he constructed a coherent narrative out of the “texts” of his own life and the lives of his patients, a narrative which informed the corpus of texts that make up his writings. Our creation and discovery has been another narrative, a shadowy but meaningful one, within Freud's texts. We have attended carefully to elements that fall outside the Oedipal framework, elements that have no place in a coherent Oedipal saga. To borrow Freud's words, “We have treated as Holy Writ what previous writers have regarded as arbitrary improvisation” (SE 5: 514). We have constructed a narrative in which the peripheral becomes central. This other narrative is what I have called a counterthesis.
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