Jazz/Not Jazz: The Music and Its Boundaries
Jazz/Not Jazz: The Music and Its Boundaries
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Abstract
Jazz/Not Jazz explores some of the musicians who (and concepts, places, and practices that), though deeply connected to established jazz institutions and aesthetics, have rarely, if ever, appeared in conventional jazz narratives. The book's goal is neither to map out a supposedly all-inclusive history of jazz, nor necessarily to salvage the reputations of typically dismissed styles or figures, but rather to explore what these missing people and pieces tell us about the ways in which jazz has been defined and its history told. That is, in focusing their inquiries beyond the veritable hall of jazz greatness, the authors seek to determine what we can learn about jazz as a whole by interrogating its traditionally understood musical and cultural margins (though not necessarily the economic margins: many of the performers and performances discussed in these essays have been enjoyed by millions of listeners), and to find out what is gained—and what is lost—when particular communities erect their own fences around jazz.
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Front Matter
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Introduction
David Ake and others
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part one Categories
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chapter 1
Incorporation and Distinction in Jazz History and Jazz Historiography
Eric Porter
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chapter 2
Louis Armstrong Loves Guy Lombardo
Elijah Wald
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chapter 3
The Humor of Jazz
Charles Hiroshi Garrett
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chapter 4
Creating Boundaries in the Virtual Jazz Community
Ken Prouty
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chapter 5
Latin Jazz, Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or Just … Jazz: The Politics of Locating an Intercultural Music
Christopher Washburne
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chapter 1
Incorporation and Distinction in Jazz History and Jazz Historiography
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part two Practices
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chapter 6
Jazz with Strings: Between Jazz and the Great American Songbook
John Howland
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chapter 7
“Slightly Left of Center”: Atlantic Records and the Problems of Genre
Daniel Goldmark
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chapter 8
The Praxis of Composition-Improvisation and the Poetics of Creative Kinship
Tamar Barzel
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chapter 9
The Sound of Struggle: Black Revolutionary Nationalism and Asian American Jazz
Loren Kajikawa
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chapter 6
Jazz with Strings: Between Jazz and the Great American Songbook
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part three Education
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chapter 10
Voices from the Jazz Wilderness: Locating Pacific Northwest Vocal Ensembles within Jazz Education
Jessica Bissett Perea
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chapter 11
Crossing the Street: Rethinking Jazz Education
David Ake
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chapter 12
Deconstructing the Jazz Tradition: The “Subjectless Subject” of New Jazz Studies
Sherrie Tucker
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chapter 10
Voices from the Jazz Wilderness: Locating Pacific Northwest Vocal Ensembles within Jazz Education
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End Matter
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