Petrarch in Britain: Interpreters, Imitators, and Translators over 700 years
Petrarch in Britain: Interpreters, Imitators, and Translators over 700 years
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Abstract
Petrarch was Italy's second most famous writer (after Dante), and indeed from the fifteenth to the nineteenth centuries he was much better known and more influential in English literature than Dante. His Italian love lyrics constituted the major influence on European love poetry for at least two centuries from 1400 to 1600, and in Britain he was imitated by Chaucer, the Elizabethans, and other lyric poets up until the end of the eighteenth century. With Romanticism Dante ousted Petrarch from his pre-eminent position, but in our post-Romantic age, attention has now started to swing back to Petrarch. This volume is a survey of Petrarch's literary legacy in Britain. Starting with his own views of those whom he called the ‘barbari Britanni’, the volume then explores a number of key topics: Petrarch's analysis of the self; his dialogue with other classical and Italian authors; Petrarchism and anti-Petrarchism in Renaissance Italy; Petrarchism in England and Scotland; and Petrarch's modern legacy in both Italy and Britain. Many important texts and poets are considered, including Giordano Bruno, Leopardi, Foscolo, Ascham, Sidney, Spenser, and Walter Savage Landor.
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Front Matter
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Introduction
Martin McLaughlin
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I Petrarch’s Britain
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II Petrarch And The Self
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III Petrarch In Dialogue
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IV Petrarchism And Anti-Petrarchism In Italy
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V Petrarchism: English and Scottish Connections
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12
Other Petrarchs in Early Modern England
Michael Wyatt
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13
Thomas Watson’s Hekatompathia and European Petrarchism
Stephen Clucas
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14
The Comedy of Astrophil: Petrarchan Motifs in Sidney’s Astrophil and Stella
John Roe
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15
Sidney, Spenser, and Political Petrarchism
Syrithe Pugh
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Petrarch and the Scottish Renaissance Sonnet
Ronald D. S. Jack
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12
Other Petrarchs in Early Modern England
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VI Petrarch and the Moderns: Italy and Britain
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End Matter
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