The James Bond Songs: Pop Anthems of Late Capitalism
The James Bond Songs: Pop Anthems of Late Capitalism
Associate Professor of German Studies
Assistant Professor of Musicology
Cite
Abstract
Starting with the 1963 film From Russia With Love, every James Bond film has followed the same ritual. After an exciting action sequence, the screen goes black and we spend three minutes with abstract opening credits and a song—a song that sounds like the music of our day in some respects, while sounding out-of-step in others. This book presents the story of this unique genre, and the audience it created for itself. Films, pop songs, society and geopolitics have changed a lot over the past half-century. By mostly refusing to change with them, the Bond-songs reveal the extent of these cultural and aesthetic transformations.
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Front Matter
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Introduction: James Bond and the End(s) of the Pop Song
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1
“At Skyfall”: The Bond Song, Repression, and Repetition
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2
“A Golden Girl Knows”: The Ballads of James Bond
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3
“You Only Live Twice”: James Bond and (His) Age
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4
“When You’ve Got a Job to Do”: The 70s
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5
“We’re an All Time High”: James Bond, Pop, and the Endless 1970s
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6
Looking the Part: James Bond’s New Wave Years
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7
“Your Life is a Story I’ve Already Written”: The Gay Panic Years
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8
“Close My Body Now”: Bond’s Traumas and the Compulsion to Repeat
- Coda: James Bond Will Return in …
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End Matter
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