
Contents
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6.1. Epode 16: Abominatus Hannibal 6.1. Epode 16: Abominatus Hannibal
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6.2. Monsters of the Night: The Shared Worlds of Hannibal and the Owl 6.2. Monsters of the Night: The Shared Worlds of Hannibal and the Owl
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6.3. The Boy and the Owl of Epode 5 6.3. The Boy and the Owl of Epode 5
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6.4. Ode 4.4: Poetry Rewritten 6.4. Ode 4.4: Poetry Rewritten
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6.5. Conclusion: Of Owls and Men 6.5. Conclusion: Of Owls and Men
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6 Monsters in the Night: Hannibal, Prodigia, and the Parallel Worlds of Epode 16 and Ode 4.4
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Published:March 2016
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Abstract
This chapter focuses on Horace’s portrayal of Hannibal and prodigia in the Epodes and Odes. It argues that the Carthaginian’s presence in Epode 16 and Ode 4.4, among other parallels between the two poems, suggests that Horace is looking back from the vantage point of Ode 4.4 and re-evaluating his earlier poetic endeavours. The author begins by looking at Epode 16, with its world of ritual darkness, curse poetry, and divination, arguing that Hannibal, here portrayed as abominatus by Horace, should be perceived as a figure of dread ill-omen who heralds a bleak future for Rome. From here the discussion moves forward to Ode 4.4 which appears to offer a world of light and promise under the new Augustan regime that offsets this vision of darkness presented in the more pessimistic Epodes (especially Epodes 5 and 16).
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