
Published online:
01 February 2010
Published in print:
15 October 2009
Online ISBN:
9780191719950
Print ISBN:
9780199545674
Contents
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Performance and Performativity Performance and Performativity
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Representation Representation
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Referentiality and the Performance of Horace's Odes Referentiality and the Performance of Horace's Odes
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Genre and the Internal Divide Genre and the Internal Divide
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‘Fiction’ ‘Fiction’
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Figuration and its Discontents Figuration and its Discontents
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Chapter
3 3 The Performance of Horatian Lyric: The Limits of Reference
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Pages
63–97
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Published:October 2009
Cite
Lowrie, Michèle, '3 The Performance of Horatian Lyric: The Limits of Reference', Writing, Performance, and Authority in Augustan Rome (Oxford , 2009; online edn, Oxford Academic, 1 Feb. 2010), https://doi.org/10.1093/acprof:oso/9780199545674.003.0003, accessed 13 May 2025.
Abstract
The performance of Horace's Odes offers a test case for determining the interrelation between a poet's own self-definition and the actual reception of his poetry. Debate has raged in the 20th century over whether the language of song in this body of poetry is literal or metaphoric. Speech act theory starting with J. L. Austin offers a tool that helps understand the problematics of referentiality, but cannot in the end determine whether any particular utterance means what it says.
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