Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young
Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young
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Abstract
La Monte Young, generally regarded as the father of musical minimalism, is one of America’s most important contemporary composers--and one of the most elusive. Early on Young eschewed the conventional musical institutions of publishers, record labels, and venues, in order to create compositions completely unfettered by commercial concerns. At the same time, however, he exercised profound influence on such varied figures as Terry Riley, Cornelius Cardew, Andy Warhol, Yoko Ono, Velvet Underground, Brian Eno and entire branches of pop music. For half a century he and his partner and collaborator, Marian Zazeela, have worked in near-seclusion in their Tribeca loft, creating works that explore the furthest extremes of conceptual audacity, technical sophistication, acoustical complexity, and overt spirituality. Because of this seclusion, his importance as a composer has heretofore not been matched by a commensurate amount of scholarly scrutiny. Draw A Straight Line and Follow It: The Music and Mysticism of La Monte Young stands as the first monograph to examine Young’s life and work in detail. The book is a culmination of a decade of research, during which the author gained rare access to the composer and his archives. The book takes a multi-disciplinary approach that combines biography, musicology, ethnomusicology, and music analysis, and illuminates such seemingly disparate aspects of Young’s work as integral serialism and indeterminacy, Mormon esoterica and Vedic mysticism, and psychedelia and psychoacoustics. The book is a long-awaited, in-depth look at one of experimental music’s most fascinating figures.
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Front Matter
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Introduction: Gonzo Musicology
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1
The Tabula (Not So) Rasa: La Monte Young’s Early Life and Early Works
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2
Getting Inside the Sound: The Works from 1959 to 1960
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3
The Ideology of the Drone: La Monte Young the Mystic
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4
Space Exploration, Part 1: Telos and Stasis in the Dream House
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5
Space Exploration, Part 2: Mormon Cosmology and The Well-Tuned Piano
- After Teleology
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End Matter
- Appendix: Chronological List of Compositions
- Notes Introduction
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Bibliography
- 1. books, articles, and published interviews
- 2. discography/videography
- 3. unpublished scores
- 4. concert program notes and other unpublished documents
- 5. unpublished correspondence
- 6. Personal Communications with the Author
- Index
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