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Katherine Philips and Literary Control Katherine Philips and Literary Control
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Philips and Manuscript Transmission Philips and Manuscript Transmission
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Pompey, Fame, and The Transmission of Philips's Work Pompey, Fame, and The Transmission of Philips's Work
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Posthumous Circulation: Manuscript and Print Posthumous Circulation: Manuscript and Print
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Rewriting, Reputation, and Transmission Rewriting, Reputation, and Transmission
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Aphra Behn: Professional Writer Aphra Behn: Professional Writer
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Behn, Rochester, and Literary Reputation Behn, Rochester, and Literary Reputation
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Behn in The 1680S Behn in The 1680S
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Behn's Posthumous Reputation Behn's Posthumous Reputation
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Behn and Bloomsbury Behn and Bloomsbury
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Sinner and Saint Sinner and Saint
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7 Saint and Sinner: Katherine Philips and Aphra Behn
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Published:November 2006
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Abstract
This chapter deals with the two self-conscious writers who were engaged with a variety of literary genres — Katherine Philips and Aphra Behn. It explains that Philips' work shares Cavendish's Royalist politics, and that they have a glancing association with the same Royalist artistic circle that gathered around Henry Lawes. Philips created a very different literary image and career to that of Cavendish, combining the carefully controlled circulation of her poetry in manuscript with the late publicity and fame related with the performance of her translation of Corneille's Pompey in Dublin in 1663. In contrast, Aphra Behn is a Royalist writer who established herself on the professional stage from 1670. Behn's and Philips' engagement with politics was very different and must be assessed in some detail as part of any evaluation of reception of their writing and later attitudes toward them.
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