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I don’t recall exactly where or when my intrigue with dancing began. But I strongly suspect that as a child I discovered dancing not in films or on the stage but within my own body, for movement has always been an intrinsic power in my life. I probably danced before I began to speak. And when a love of language eventually overtook me, I was endlessly tossed between my desire to write and my desire to dance.
Though the origins of my lifelong fascination with dancing are only dimly remembered, I know for certain that the first choreographers I met and admired were Ruth St. Denis and Lester Horton. Their imprint on my childhood sensibility and my later choreographic style was immense, despite the fact that I was determined to devote myself to writing instead of dancing. Regardless of my intentions, I was persistently drawn to Miss Ruths studio on Ventura Boulevard and to the storefront theater run by Lester Horton on Melrose Avenue in Los Angeles. Though I thought I wanted to be a writer, my body wanted to be a dancer.
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