
Contents
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Unified Soundtracks Unified Soundtracks
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Film Sound as Music (and Music as Film Sound) Film Sound as Music (and Music as Film Sound)
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Saw’s Musical Sounds Saw’s Musical Sounds
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Psychological Sound Space Psychological Sound Space
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Sonic Symphonies Sonic Symphonies
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Conclusion Conclusion
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6 ‘Visual’ Sound Design: The Sonic Continuum
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Published:January 2014
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Abstract
This chapter points to aesthetics developments that are partly inspired by technological developments (particularly the move from analogue to digital sound). Increasingly, film sound effects work less to bolster a sense of verisimilitude than as an aesthetic effect in themselves. Sound design in many films might be understood as essentially musical in nature, following a musical logic rather than any other. Any movement from speech-centered film to one that allows more prominence to ‘noises’ is potentially a shift from film dominated by synchronized dialogue to one with significant amounts of asynchrony and sound as an effect in itself, whether through loud music or featured sounds. This chapter also suggests that the sometimes startling collapse of the space between diegetic sound and non-diegetic music manifests to a degree a collapse of psychological space.
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