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In what is the first monograph in English in over twenty years devoted to Bacchylides’ poetry, this book offers an original and wide-ranging approach to Bacchylides in its exploration of his engagement with poetic tradition and in the evaluation of the relationship of the poetry to its multiple contexts of performance. It shows how details of poetic language in Bacchylides’ manipulation of the style, diction, and mythology of the lyric and epic traditions form the heart of cultural and political engagements with a wide variety of patrons, commissioning states, and performance circumstances. It offers a significant and timely contribution to ongoing debates about the nature of fifth-century performance culture, the notion of genre in archaic classical Greece, and the relations between choral lyric forms. And, with its discussion of the nature of Bacchylides’ Dithyrambs, it rescues from obscurity a kind of narrative choral poetry that was extremely prevalent in the classical period and had a major impact on the political and cultural self-definition of communities throughout the Greek world in the fifth century Bce.
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