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‘No man is an island entire of himself; every man is a piece of the continent, a part of the main, . . . any man’s death diminishes me, because I am involved in mankind’ (Donne 1642).
Substituting ‘man’ for ‘woman’, John Donne’s famous sermon captures the process of thinking about, writing, and producing this book. A teenager at the time of the signing of the Belfast Agreement in 1998, I am both a beneficiary of the Northern Ireland peace process and old enough to remember childhood breakfasts dominated by the local BBC Radio Ulster broadcast documenting the litany of death and destruction from the previous day. Without knowing, I began to formulate a long-standing series of questions about conflict and its victims. Those questions included ‘who’ is a victim, what forms of victimhood do we ‘see’ and what do we not see, why are some forms of victimhood considered ‘deserving’ and others ‘undeserving’, and in what ways does our physical landscape—punctuated in Northern Ireland by wall murals, memorial gardens, commemorative plaques, and cognitive wounds—shape how victimhood is constructed and reproduced.
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