
Published online:
16 March 2015
Published in print:
02 August 2012
Online ISBN:
9780191804373
Print ISBN:
9780199548064
Contents
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Making Iron Making Iron
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Making Bronze Making Bronze
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Making Deposits: The Beaten and the Cast Making Deposits: The Beaten and the Cast
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Making Decoration Making Decoration
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Concluding Discussion Concluding Discussion
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Cite
Garrow, Duncan, and Chris Gosden, 'Making Materials', Technologies of Enchantment? Exploring Celtic Art: 400 BC to AD 100 (Oxford , 2012; online edn, Oxford Academic, 16 Mar. 2015), https://doi.org/10.1093/acprof:osobl/9780199548064.003.0004, accessed 15 May 2025.
Abstract
This chapter focuses on identifying broader sets of patterns of making and deposition that lay behind Celtic art. It first considers the possibility that sheet and cast metal were made in different sets of sites, before looking at whether they were then deposited differently too. The key aim is to understand the logics of practice in making, using, and depositing. It is shown that social or cosmological rules lay behind the patterning of where things were made and thrown away. Not too much is known about where and how both iron and bronze were made, but the evidence to show the links and contrasts between the two metals is summarized and presented.
Subject
Prehistoric Archaeology
Collection:
Oxford Scholarship Online
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