
Contents
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Opera Before Vitaphone Opera Before Vitaphone
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Setting the Stage Setting the Stage
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How to Record the “Female” Voice How to Record the “Female” Voice
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Haunting and Mimicry Haunting and Mimicry
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The Tenor Takes the Lead The Tenor Takes the Lead
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The Narrative Body The Narrative Body
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Cite
Abstract
Chapter Two explores the visual and musical changes in the opera short as it evolved throughout the conversion era primarily by looking at the prolific output of Warner Bros. and its intensified attention to the tenor. Although Warners’ “high-culture” experiment was primarily conducted on sound-on-disc technology, it nevertheless had an enormous impact on how Hollywood envisioned the purpose of both film music and the body on screen. By attending to the gendered representation of the operatic singing body, the chapter argues that the legacy of the castrato influenced the promotion of the tenor at the expense of the soprano. Thanks to the stardom of Metropolitan Opera singer Giovanni Martinelli, “opera” on film was increasingly defined by what the tenor could sing.
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