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Abstract
The years since his death in 1975 have witnessed a surge of interest in the music and the person of Dmitriy Shostakovich. A broad legacy of inspired, arresting, often anguished musical scores—symphonic, dramatic, and chamber—has attracted legions of new listeners and piqued curiosity about the man who created it. To an extent unique among his artistic peers, Shostakovich managed to survive successive Stalinist cultural purges to rise again to unparalleled heights of national and international acclaim matched by genuine professional esteem and popularity. To many of his contemporaries his music extended a vital cultural lifeline, a latent “chronicle” in sounds of the harsh emotional realities of their times. To successive Soviet regimes, it supplied proof of the superior virtues of the socialist world-view, chronicling in sounds “the great struggle of the Soviet people to build communism.” Shostakovich spent most of his life in the public eye. He was larger than life, a cultural icon, a legend. His career offered a paradigm for the evils or—depending upon one’s perception—the benefits of totalitarian control over the arts.
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