
Contents
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Joyce’s War on Status Joyce’s War on Status
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Giacomo Joyce: Joyce and Wunderlich Giacomo Joyce: Joyce and Wunderlich
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Fascism and Silence: The Coded History of Amalia Popper Fascism and Silence: The Coded History of Amalia Popper
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From Italy to Ireland: The Ambivalence of Men toward Men From Italy to Ireland: The Ambivalence of Men toward Men
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Female Desire and Power in Finnegans Wake Female Desire and Power in Finnegans Wake
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Marriage as “Marrage” Marriage as “Marrage”
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“Male and Female Unmask We Hem” “Male and Female Unmask We Hem”
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Waking Desire Waking Desire
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Four Joyful Desire: Giacomo Joyce and Finnegans Wake
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Published:December 1998
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Abstract
Both Wilde and Yeats, in different ways, idealized art and beauty in their youth. Only gradually and under pressure did they come to see the beauty of art differently, not as an alternative to life, but as an expression of life’s contradictory, contingent, and volatile nature. Moreover, the aesthetic idealism of both Wilde and Yeats was importantly connected with their love of Ireland, which both constructed as a “lost” world of imagination and art, an alternative to the materialistic and urban values they associated with England. Wilde, with his love of green, and Yeats, with his adoration of flowers, paid homage to their common homeland by abstracting it into a pastoral Utopia to which they could secretly, imaginatively return in their art. Fortunately, the art of both was governed by laws so flexible and precise that it gave them a model for a revised view of life, in which life and art overlapped, differing primarily in their capacity to be replayed.
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