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4 Describing the Indescribable
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Published:October 1992
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Abstract
The idea that “not only ideas, but emotions, too, are cultural artefacts” (Geertz 1973:81), at one time described by a distinguished anthropologist as “complete rubbish” (Leach 1981), is becoming increasingly well documented. (Cf., in particular, Briggs 1970; Geertz 1974; Gerber 1985; Levy 1983; Rosaldo 1980; Scruton 1985; or Lutz 1983, 1985a and b, 1987.)
Solomon (1984:253) writes: “[V]ariation in emotional life is a very real part of cross-cultural differences, and not only in the more obvious variations in circumstances and expression”. To develop this insight as a constructive thesis, he urges, “it would be necessary to tum to a piece by piece investigation of the concepts that make up our various emotions and their complex permutations, side by side with more holistic investigations of a number of other societies, such as those offered us by Levy (1973) and Briggs (1970).
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