Mapping Medea: Revolutions and Transfers 1750-1800
Mapping Medea: Revolutions and Transfers 1750-1800
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Abstract
The late eighteenth century witnessed multiple Medeas on the stages of Europe, in the Americas, and across the Russian empire, both to the east and to the south. Performances took place in Moscow and São Paulo, in London and Lisbon, in Gotha, Stuttgart, and Venice. This volume examines the reasons why Medea attracted the attention of authors, audiences, actresses, and rulers in Europe and its colonies during the pivotal period 1750 to 1800, and to what effects. As migrant and iconoclast Medea crosses a number of eighteenth-century borders: linguistic, cultural, national, temporal, spatial, aesthetic, ethical, and generic. Moreover, the fact that late eighteenth-century playwrights, poets, composers, and choreographers all turned to one of the most problematic characters of Graeco-Roman antiquity offers a unique opportunity to examine the remarkable flexibility of the reception process itself. By studying the figure of Medea within the revolutionary context of the late eighteenth century, it is possible to explore the negotiations between court culture and the emergent metropolitan cultural centres, as well as the role of antiquity in national, imperial, and colonial politics at this time.
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Front Matter
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1
Mapping Medea: Revolutions and Transfers 1750–1800
Anna Albrektson andFiona Macintosh
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Part I Medea in an Expanding Eighteenth-Century World
Anna Albrektson andFiona Macintosh-
2
Pushing the Boundaries of Operatic Convention and European Identity: Generic and Historical Perspectives on Georg Benda’s 1775 Medea
Edith Hall
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3
Medea’s Russian Images on Stage and in Literature: The Politics and Poetics of Female Characters
Larisa Nikiforova
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4
An Imperial Medea: Spain, Portugal, the Colonies
Anthony John Lappin
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5
Inverting the Barbarian: Estrangement and Excess in the Eighteenth-Century Medea
Anna Albrektson
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2
Pushing the Boundaries of Operatic Convention and European Identity: Generic and Historical Perspectives on Georg Benda’s 1775 Medea
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Part II Local Interpretations and Global Issues: Ontology and Form
Anna Albrektson andFiona Macintosh-
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From Hearth to Hades: Breaking Boundaries with Medea and ballet d’action
Fiona Macintosh
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7
Shaping Complexity: Medea in the German-Language Theatre of the Eighteenth Century
Jörg Krämer
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8
Visual Narrative: The Role of Costumes in Noverre’s ballet d’action, Médée et Jason
Petra Dotlačilová
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9
Medea as Infanticidal Mother in the Late Eighteenth-Century Theatre
Zoé Schweitzer
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6
From Hearth to Hades: Breaking Boundaries with Medea and ballet d’action
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Afterthoughts
Anna Albrektson andFiona Macintosh -
End Matter
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