Performance, Iconography, Reception: Studies in Honour of Oliver Taplin
Online ISBN:
9781383036602
Print ISBN:
9780199232215
Publisher:
Oxford University Press
Book
Performance, Iconography, Reception: Studies in Honour of Oliver Taplin
Published online:
31 October 2023
Published in print:
14 August 2008
Online ISBN:
9781383036602
Print ISBN:
9780199232215
Publisher:
Oxford University Press
Cite
Revermann, Martin, and Peter Wilson (eds), Performance, Iconography, Reception: Studies in Honour of Oliver Taplin (Oxford , 2008; online edn, Oxford Academic, 31 Oct. 2023), https://doi.org/10.1093/oso/9780199232215.001.0001, accessed 21 Apr. 2025.
Abstract
Performance, Reception, Iconography assembles twenty-three papers from an international group of scholars who engage with, and develop, the seminal work of Oliver Taplin. Oliver Taplin has for over three decades been at the forefront of innovation in the study of Greek literature, and of the Greek theatre, tragic and comic, in particular. The studies in this volume centre on three key areas - the performance of Greek literature, the interactions between literature and the visual realm of iconography, and the reception and appropriation of Greek literature, and of Greek culture more widely, in subsequent historical periods.
Collection:
Oxford Scholarship Online
Contents
-
Front Matter
-
Introduction
Martin Revermann andPeter Wilson
-
Part-1 Performance: Explorations
Martin Revermann andPeter Wilson-
1
Generic Boundaries in Late Fifth-Century Athens
Helene P Foley
-
2
Audience and Emotion in the Reception of Greek Drama
Ian Ruffell
-
3
Greek Middlebrow Drama (Something to do with Aphrodite?)
Mark Griffith
-
4
Costing the Dionysia
Peter Wilson
-
5
Nothing to Do with Demeter? Something to Do with Sicily! Theatre and Society in the Early Fifth-Century West
Barbara Kowalzig
-
1
Generic Boundaries in Late Fifth-Century Athens
-
Part-2 Performance: Epic
Martin Revermann andPeter Wilson -
Part-3 Performance: Tragedy
Martin Revermann andPeter Wilson-
9
Theatrical Furies: Thoughts on Eumenides
Pat Easterling
-
10
Aeschylus’ Eumenides, Chronotopes, and the ‘Aetiological Mode’
Martin Revermann
-
11
Star Choruses: Eleusis, Orphism, and New Musical Imagery and Dance*
Eric Csapo
-
12
The Last Word: Ritual, Power, and Performance in Euripides’ Hiketides
Athena Kavoulaki
-
13
Intimate Relations: Children, Childbearing, and Parentage on the Euripidean Stage
Froma I Zeitlin
-
14
Character and Characterization in Greek Tragedy
Bernd Seidensticker
-
9
Theatrical Furies: Thoughts on Eumenides
-
Part-4 Performance: Comedy
Martin Revermann andPeter Wilson -
Part-5 Performance Iconography
Martin Revermann andPeter Wilson -
Part-6 Performance: Reception
Martin Revermann andPeter Wilson-
20
Wagner’s Greeks: The Politics of Hellenism
Simon Goldhill
-
21
Resurrecting Ancient Greece in Nazi Germany––the Oresteia as Part of the Olympic Games in 1936
Erika Fischer-Lichte
-
22
Can the Odyssey Ever be Tragic? Historical Perspectives on the Theatrical Realization of Greek Epic
Edith Hall
-
23
An Oedipus for our Times? Yeats’s Version of Sophocles’ Oedipus Tyrannus
Fiona Macintosh
-
20
Wagner’s Greeks: The Politics of Hellenism
-
End Matter
© Oxford University Press 2008
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