Literature and the Senses
Literature and the Senses
Cite
Abstract
Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception. Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the ‘Great Stink’ that recurs in the Victorian novel; the taste of an aubergine registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of the senses.
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Front Matter
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Literature and the Senses: An Introduction
Annette Kern-Stähler andElizabeth Robertson
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I Sight
Annette Kern-Stähler andElizabeth Robertson -
II Hearing
Annette Kern-Stähler andElizabeth Robertson-
5
‘A Lowde Voys Clepyng’: Voice-Hearing, Revelation, and Imagination
Corinne Saunders
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6
Attending to Sound in Early Modern Literature: Whythorne, Butler, and Bacon
Simon Jackson
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7
Acoustics, Echoes, and Whispering Galleries in Romantic Literature
Stacey Mcdowell
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8
The Roar on the Other Side of Silence: Sound, Hearing, and Social Change in Victorian Literature
Anne-Julia Zwierlein
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9
A Poetics of Silence: Deafness, Poetics, and the Fate of the Senses
Michael Davidson
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5
‘A Lowde Voys Clepyng’: Voice-Hearing, Revelation, and Imagination
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III Smell
Annette Kern-Stähler andElizabeth Robertson-
10
Festering Lilies: Seeing and Smelling Gender and Race in Renaissance Art and Poetry
Holly Dugan
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11
Bartholomew Fair’s Olfactory Cross-Mappings: Smell, Place, Memory
Isabel Karremann
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12
A Sanitary Sense Of Smell: Olfaction and Bodily Boundaries in Victorian Writing
Ursula Kluwick
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13
Olfactory Futures in Bipoc Speculative Fiction
Hsuan L. Hsu
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10
Festering Lilies: Seeing and Smelling Gender and Race in Renaissance Art and Poetry
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IV Taste
Annette Kern-Stähler andElizabeth Robertson-
14
Reading ‘Ful Savourly’: Taste and Good Taste in Later Medieval English Literature
Mary C. Flannery
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15
Tastelessness: Lack and Loss of Savour in the Medieval Poetic Imagination
Jamie C. Fumo
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16
A Taste of ‘Sweet Music’: Writing (through) the Senses in Early Modern England
Simon Smith
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17
Tasting With Words in Ben Okri’s The Famished Road and Chimamanda Ngozi Adichie’s Half of a Yellow Sun
Vanessa Guignery
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18
The Taste of Revolution
Zoë Skoulding
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14
Reading ‘Ful Savourly’: Taste and Good Taste in Later Medieval English Literature
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V Touch
Annette Kern-Stähler andElizabeth Robertson-
19
Contact, Conduct, and Tactile Networks: Touch and its Social Functions in Middle English Verse Romance
Hannah Piercy
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20
Touch and the Sensible in the Play of Mary Magdalene
Mark Amsler
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21
Histories of the Human Hand: Huxley and Isherwood’s Jacob’s Hands and Modernist Manual Culture
Abbie Garrington
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22
Touching Wounds: Violence and the Art of ‘Feeling’
Santanu Das
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19
Contact, Conduct, and Tactile Networks: Touch and its Social Functions in Middle English Verse Romance
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VI Multisensoriality
Annette Kern-Stähler andElizabeth Robertson-
23
Sensology and Enargeia
Richard G. Newhauser
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24
Bearing The Word: Speech Scrolls, Touch, and the Carthusian Miscellany
Sarah Stanbury
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25
Multisensory Entanglements In Edwidge Danticat’s Claire Of The Sea Light And Chimamanda Ngozi Adichie’s Purple Hibiscus
Mirja Lobnik
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26
Salt Taste of the Sea: The Multisensorial Beach in Kate Chopin’s The Awakening and Charles Simmons’s Salt Water
Virginia Richter
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23
Sensology and Enargeia
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End Matter
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