The Moving Form of Film: Historicising the Medium through Other Media
The Moving Form of Film: Historicising the Medium through Other Media
Senior Lecturer in Media Studies
Cite
Abstract
This book charts the ways in which intermediality—the crossing of borders between film and other arts and media—can provide an encompassing, inclusive, and nonteleological understanding of film history. Moving across diverse approaches, technologies, national contexts, and artistic styles, the collection depicts a clear and complex trajectory of cinematic phenomena according to the medial and artistic interactions they require and produce. Visions of the “evolution” of cinema have traditionally hinged on the axis of World War II that separates so-called classical Hollywood cinema from a purported modern European-style production, a scheme that subjects the entire world to the cinematic history of two hegemonic centres. In turn, histories of film as a technological medium have focused on the specificity of cinema as it gradually separated from the other art and medial forms at its base: theatre, dance, fairground spectacle, painting, literature, still photography, and other pre-cinematic modes. Taking an ambitious step forward with relation to these theories, this book places its bet on the fluid quality of the film form itself. In so doing, it opens up to an array of exciting and often neglected artistic expressions worldwide as they permeate and interconnect films across temporal, geographical, and cultural borders. By observing the ebb and flow of film’s contours within the bounds of other artistic and medial expressions, this collection aspires to establish a flexible historical platform for the moving form of film, posited, from production to consumption, as a transforming and transformative medium.
-
Front Matter
-
Introduction
Stefan Solomon andLúcia Nagib
-
Part I Methodologies
Lúcia Nagib andStefan Solomon -
Part II Technologies and Environments
Lúcia Nagib andStefan Solomon-
5
Intermediality and the Carousel Slide Projector
Julian Ross
-
6
Up the Junction, Intermediality, and Social Change
Sarah Street
-
7
When the Past Is Present: Digital Cinema and the Philosophical Toys of Pre-Cinema
Ismail Xavier
-
8
Panoramic Views, Planetary Visions: An Intermedial Analysis of Medium Earth and Walden
Tiago de Luca
-
9
Elemental Intermedia
Stefan Solomon
-
5
Intermediality and the Carousel Slide Projector
-
Part III National and Regional Phenomena
Lúcia Nagib andStefan Solomon-
10
Cinema from the Perspective of the Stage: For an Integrated History of Theatrical Entertainment in Brazil
Luciana Corrêa de Araújo
-
11
Flamenco on Screen: The Intermedial Legacy of Carmen Amaya in Bajarí
Albert Elduque
-
12
Impurity and Identification: Historicising Chinese Cinema through Opera
Cecília Mello
-
13
Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2
Lúcia Nagib
-
10
Cinema from the Perspective of the Stage: For an Integrated History of Theatrical Entertainment in Brazil
-
Part IV Intermedial Artists
Lúcia Nagib andStefan Solomon-
14
Stephen Dwoskin, an Intermedial Artist
Rachel Garfield and others
-
15
Intermedial Voices: Intersections in Feminist Sound and Moving Image
Claire M. Holdsworth
-
16
Entanglements of Intermediality: Polanski, Pinter, Steptoe and Son
Jonathan Bignell
-
17
The Intermedial Reworking of History in Peter Greenaway’s The Tulse Luper Suitcases Trilogy
Fátima Chinita
-
14
Stephen Dwoskin, an Intermedial Artist
-
End Matter
Sign in
Personal account
- Sign in with email/username & password
- Get email alerts
- Save searches
- Purchase content
- Activate your purchase/trial code
- Add your ORCID iD
Purchase
Our books are available by subscription or purchase to libraries and institutions.
Purchasing informationMonth: | Total Views: |
---|---|
April 2023 | 3 |
April 2023 | 4 |
April 2023 | 2 |
April 2023 | 2 |
April 2023 | 2 |
April 2023 | 3 |
April 2023 | 8 |
April 2023 | 2 |
April 2023 | 2 |
April 2023 | 2 |
April 2023 | 3 |
April 2023 | 2 |
April 2023 | 2 |
April 2023 | 2 |
April 2023 | 4 |
April 2023 | 3 |
April 2023 | 2 |
April 2023 | 4 |
April 2023 | 3 |
April 2023 | 2 |
April 2023 | 2 |
April 2023 | 3 |
May 2023 | 7 |
May 2023 | 5 |
May 2023 | 5 |
May 2023 | 15 |
May 2023 | 6 |
May 2023 | 14 |
May 2023 | 5 |
May 2023 | 5 |
May 2023 | 3 |
May 2023 | 5 |
May 2023 | 7 |
May 2023 | 2 |
May 2023 | 6 |
May 2023 | 7 |
May 2023 | 8 |
May 2023 | 6 |
May 2023 | 7 |
May 2023 | 5 |
May 2023 | 6 |
May 2023 | 6 |
May 2023 | 3 |
May 2023 | 6 |
May 2023 | 6 |
June 2023 | 5 |
June 2023 | 1 |
June 2023 | 2 |
June 2023 | 4 |
June 2023 | 1 |
June 2023 | 2 |
June 2023 | 6 |
June 2023 | 1 |
June 2023 | 2 |
June 2023 | 12 |
June 2023 | 7 |
June 2023 | 2 |
June 2023 | 2 |
June 2023 | 2 |
July 2023 | 1 |
July 2023 | 2 |
July 2023 | 1 |
July 2023 | 1 |
July 2023 | 2 |
July 2023 | 2 |
July 2023 | 2 |
July 2023 | 15 |
July 2023 | 1 |
July 2023 | 1 |
July 2023 | 4 |
August 2023 | 1 |
August 2023 | 3 |
August 2023 | 2 |
August 2023 | 3 |
August 2023 | 2 |
August 2023 | 3 |
August 2023 | 2 |
August 2023 | 2 |
August 2023 | 1 |
August 2023 | 2 |
September 2023 | 4 |
September 2023 | 1 |
September 2023 | 1 |
September 2023 | 1 |
September 2023 | 2 |
September 2023 | 1 |
September 2023 | 1 |
September 2023 | 2 |
September 2023 | 4 |
October 2023 | 10 |
October 2023 | 3 |
October 2023 | 3 |
October 2023 | 4 |
October 2023 | 5 |
October 2023 | 4 |
October 2023 | 9 |
October 2023 | 4 |
October 2023 | 3 |
October 2023 | 2 |
October 2023 | 2 |
October 2023 | 4 |
October 2023 | 3 |
October 2023 | 2 |
October 2023 | 3 |
October 2023 | 3 |
October 2023 | 5 |
October 2023 | 5 |
November 2023 | 5 |
November 2023 | 3 |
November 2023 | 2 |
November 2023 | 6 |
November 2023 | 9 |
November 2023 | 4 |
November 2023 | 1 |
November 2023 | 2 |
November 2023 | 5 |
November 2023 | 5 |
November 2023 | 5 |
November 2023 | 2 |
November 2023 | 9 |
November 2023 | 11 |
November 2023 | 3 |
November 2023 | 6 |
November 2023 | 2 |
November 2023 | 4 |
November 2023 | 2 |
November 2023 | 2 |
December 2023 | 1 |
December 2023 | 1 |
December 2023 | 3 |
December 2023 | 2 |
December 2023 | 10 |
December 2023 | 1 |
December 2023 | 1 |
December 2023 | 4 |
December 2023 | 5 |
December 2023 | 2 |
December 2023 | 6 |
January 2024 | 2 |
January 2024 | 34 |
January 2024 | 1 |
January 2024 | 2 |
January 2024 | 2 |
January 2024 | 1 |
January 2024 | 1 |
January 2024 | 3 |
January 2024 | 1 |
January 2024 | 3 |
January 2024 | 1 |
February 2024 | 2 |
February 2024 | 26 |
February 2024 | 2 |
February 2024 | 1 |
February 2024 | 6 |
February 2024 | 4 |
February 2024 | 6 |
February 2024 | 1 |
February 2024 | 3 |
February 2024 | 1 |
March 2024 | 1 |
March 2024 | 2 |
March 2024 | 6 |
March 2024 | 8 |
March 2024 | 1 |
March 2024 | 2 |
March 2024 | 5 |
March 2024 | 2 |
March 2024 | 6 |
March 2024 | 3 |
April 2024 | 1 |
April 2024 | 4 |
April 2024 | 2 |
April 2024 | 3 |
April 2024 | 6 |
April 2024 | 2 |
April 2024 | 4 |
April 2024 | 2 |
April 2024 | 2 |
April 2024 | 1 |
May 2024 | 4 |
May 2024 | 7 |
May 2024 | 2 |
May 2024 | 5 |
May 2024 | 2 |
May 2024 | 8 |
May 2024 | 11 |
May 2024 | 7 |
May 2024 | 3 |
May 2024 | 12 |
May 2024 | 5 |
May 2024 | 2 |
May 2024 | 5 |
May 2024 | 3 |
May 2024 | 6 |
May 2024 | 3 |
May 2024 | 4 |
May 2024 | 1 |
May 2024 | 2 |
June 2024 | 4 |
June 2024 | 4 |
June 2024 | 1 |
June 2024 | 2 |
June 2024 | 2 |
June 2024 | 3 |
June 2024 | 1 |
June 2024 | 1 |
June 2024 | 1 |
June 2024 | 2 |
June 2024 | 1 |
June 2024 | 1 |
June 2024 | 1 |
June 2024 | 6 |
June 2024 | 1 |
June 2024 | 2 |
June 2024 | 1 |
June 2024 | 5 |
June 2024 | 2 |
June 2024 | 1 |
June 2024 | 2 |
June 2024 | 7 |
June 2024 | 1 |
July 2024 | 1 |
July 2024 | 2 |
July 2024 | 1 |
July 2024 | 2 |
July 2024 | 2 |
July 2024 | 1 |
August 2024 | 3 |
August 2024 | 5 |
August 2024 | 2 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 2 |
August 2024 | 2 |
August 2024 | 2 |
August 2024 | 2 |
August 2024 | 2 |
August 2024 | 5 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 6 |
August 2024 | 2 |
August 2024 | 7 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 4 |
August 2024 | 2 |
August 2024 | 1 |
August 2024 | 2 |
September 2024 | 3 |
September 2024 | 2 |
September 2024 | 2 |
September 2024 | 1 |
September 2024 | 1 |
September 2024 | 3 |
September 2024 | 2 |
September 2024 | 1 |
September 2024 | 1 |
October 2024 | 1 |
October 2024 | 9 |
October 2024 | 5 |
October 2024 | 2 |
October 2024 | 1 |
October 2024 | 2 |
November 2024 | 4 |
November 2024 | 1 |
November 2024 | 1 |
November 2024 | 1 |
November 2024 | 3 |
November 2024 | 1 |
December 2024 | 3 |
December 2024 | 1 |
December 2024 | 19 |
December 2024 | 1 |
December 2024 | 5 |
December 2024 | 1 |
December 2024 | 1 |
January 2025 | 3 |
January 2025 | 3 |
January 2025 | 2 |
January 2025 | 2 |
February 2025 | 3 |
February 2025 | 2 |
February 2025 | 1 |
February 2025 | 1 |
March 2025 | 25 |
March 2025 | 1 |
March 2025 | 1 |
March 2025 | 2 |
March 2025 | 1 |
March 2025 | 5 |
April 2025 | 2 |
April 2025 | 2 |
April 2025 | 4 |
April 2025 | 2 |
May 2025 | 2 |
May 2025 | 2 |
May 2025 | 2 |
Get help with access
Institutional access
Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. If you are a member of an institution with an active account, you may be able to access content in one of the following ways:
IP based access
Typically, access is provided across an institutional network to a range of IP addresses. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.
Sign in through your institution
Choose this option to get remote access when outside your institution. Shibboleth/Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic.
If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.
Sign in with a library card
Enter your library card number to sign in. If you cannot sign in, please contact your librarian.
Society Members
Society member access to a journal is achieved in one of the following ways:
Sign in through society site
Many societies offer single sign-on between the society website and Oxford Academic. If you see ‘Sign in through society site’ in the sign in pane within a journal:
If you do not have a society account or have forgotten your username or password, please contact your society.
Sign in using a personal account
Some societies use Oxford Academic personal accounts to provide access to their members. See below.
Personal account
A personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions.
Some societies use Oxford Academic personal accounts to provide access to their members.
Viewing your signed in accounts
Click the account icon in the top right to:
Signed in but can't access content
Oxford Academic is home to a wide variety of products. The institutional subscription may not cover the content that you are trying to access. If you believe you should have access to that content, please contact your librarian.
Institutional account management
For librarians and administrators, your personal account also provides access to institutional account management. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more.