
Contents
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Copyright and Censorship Copyright and Censorship
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Authorship and Piracy Authorship and Piracy
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New Book Technologies New Book Technologies
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UNESCO and Decolonization UNESCO and Decolonization
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Global Books and Readers Global Books and Readers
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Cite
Abstract
This chapter is focused on how we might think of the book and its attendant practices of publishing, bookselling, and reading within the broader history of globalization and digitization. One of the main lines of inquiry concerns questions of copyright and censorship, both crucial to questions of ownership and control, authorship and creativity, as well as to the ongoing question of where the boundaries of cultural works are drawn. The Berne Convention for the Protection of Literary and Artistic Works from 1886 constituted a watershed moment in the international and later global history of the book. At the close of the nineteenth century, the interconnectedness of sophisticated communication networks meant that it was essential to create an international infrastructure securing protection for these assets, assets that were prone to cross-border competition. Copyright mediates social relations, and the Berne Convention addressed several of the most important relationships that can be identified within the orbit of the book: those between authors and readers, between new technologies and the stability and instability of the work, between publishers and the market, and between the global North and the global South. Such dependencies and relationships were enabled by more efficient transportation and communication networks and set within fast-moving economic and cultural transformation. Changes included new book technologies, geopolitical alliances that sought to redress previous imbalances in global access to knowledge, and the integration of publishing into larger media conglomerates from the 1960s.
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