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To participate in, even generate, one of the legion moments of profound presence that can be found in screen history: what is that? And since, with cinema, every moment visible on the screen betrays simultaneously an opening into an actor’s actual life (lived, while the camera turns, before the camera), we must seek to wonder not only what an actor does in making performance but also who an actor is.
—Murray Pomerance (2013)
The feeling of strangeness that overcomes the actor before the camera, as Pirandello describes it, is basically of the same kind as the estrangement felt before one’s own image in the mirror.
—Walter Benjamin (1935)
He isn’t doing that right—that was very important to me. It was what Astaire claimed he was thinking whenever he watched himself onscreen, and I noted that third-person pronoun. This is what I understood by it: that for Astaire the person in the film was not especially connected with him. And I took this to heart, or rather, it echoed a feeling I already had, mainly that it was important to treat oneself as a kind of stranger, to remain unattached and unprejudiced in your own case. I thought you needed to think like that to achieve anything in this world.
—Zadie Smith (2016)
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