
Contents
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1592–1598 1592–1598
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Falstaff Falstaff
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The Isle of Dogs The Isle of Dogs
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The ‘Duopoly’ Acknowledged The ‘Duopoly’ Acknowledged
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Tilney’s Authority and Income, with Some Licensing Issues Tilney’s Authority and Income, with Some Licensing Issues
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Tilney’s Censorship: (a) Richard II Tilney’s Censorship: (a) Richard II
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Tilney’s Censorship: (b) The Book of Sir Thomas More Tilney’s Censorship: (b) The Book of Sir Thomas More
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Late Elizabethan Jonson Late Elizabethan Jonson
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4 1592–1602: The Theatrical World Reassembles; Tilney’s Position Consolidated
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Published:July 2022
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Abstract
Strange’s Men are the first to play year-round in London; the Queen’s Men are in decline. By accident or design, the Chamberlain’s and Admiral’s Men emerge from plague in 1594 as dominant companies at court and in London. By c.1596, playing in the City inns is phased out and restricted to the peripheries. The Chamberlain’s Men are prevented from using the new Blackfriars playhouse, perhaps prompting Shakespeare’s ‘Falstaff’. Pembroke’s Men challenge the dominant companies, but are severely dealt with for a play, The Isle of Dogs (part-written by Jonson). An order is issued for all playhouses to be torn down. In 1598, the Privy Council acknowledge the Chamberlain’s and Admiral’s Men as privileged companies, restricted to nominated playhouses, and answerable to Tilney, whose key role is confirmed. An examination of his income from licensing. The censorship of Shakespeare’s Richard II and of Sir Thomas More in the context of an unsettled succession. The chapter reflects on Jonson’s antipathy to the emerging status quo and his brushes with authority.
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