Sondheim in Our Time and His
Sondheim in Our Time and His
Marylin and Arthur Levitt Professor of Music
Cite
Abstract
Sondheim in Our Time and His offers a wide-ranging historical investigation of the landmark works and extraordinary career of Stephen Sondheim, a career that has spanned much of the history of American musical theater. Each contributing author uncovers the aspects of biography, collaborative process, and contemporary context that impacted the creation and reception of Sondheim’s musicals. In addition, several authors explore in detail how Sondheim’s shows have been dramatically revised and adapted over time. Multiple chapters invite the reader to rethink Sondheim’s works from a distinctly contemporary critical perspective and to consider how these musicals are being reenvisioned today. Through chapters focused on individual musicals and others that explore a specific topic as manifested throughout his entire career; by digging deep into the archives and focusing intently on his scores; and from interviews with performers, directors, and bookwriters to close study of live and recorded productions, the authors have aimed to bring together Sondheim’s past with the present, thriving existence of his musicals.
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Front Matter
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Introduction: Our Sondheim
W. Anthony Sheppard
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Part I Early Stages
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1
Williams College Before, During, and After Sondheim
Steve Swayne
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2
Fragments of Fairyland: Sondheim’s Abandoned Adaptation of Mary Poppins
Dominic McHugh
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3
“Nearly everything I wrote”: Sondheim and the Actors Studio
Jeffrey Magee
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4
Breakout from the Asylum of Conformity: Sondheim, Laurents, and the Dramaturgy of Anyone Can Whistle
James O’Leary
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1
Williams College Before, During, and After Sondheim
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Part II Staging Identities
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Part III Versions, Genres, and Collaborations
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Part IV Reconceived Structures and Techniques
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11
Time and Time Again: Temporal Structures in Sondheim’s Musicals
Jim Lovensheimer
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12
Sunday in the Park with Sondheim, Lapine, Seurat, and Babbitt
Lara E. Housez
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13
Sondheim and the 11 O’clock Principle
Elizabeth A. Wells
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14
Finishing the Line: Wit, Rhythm, and Rhyme in Sondheim
W. Anthony Sheppard
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Afterword: Moving on with Sondheim
Kristen Anderson-Lopez
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11
Time and Time Again: Temporal Structures in Sondheim’s Musicals
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End Matter
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