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Abstract
This chapter considers the race between Calasiris’ two sons, Thyamis and Petosiris, around the walls of Memphis; the race is modelled on that between Achilles and Hector around the walls of Troy in Iliad 22, but there is also a significant debt to other texts, notably Euripides’ Phoenissae. This scene is a prime example of how Heliodorus explores and negotiates the boundaries between epic and drama, both tragedy and comedy, and the chapter considers Heliodorus’ debt, not just to Homer and the classical dramatists, but also to the critical tradition, notably the Aristotelian tradition and the exegetical modes best known to us from the Homeric scholia. Calasiris’ sudden arrival deepens the sense of the intersection and fusion of epic and drama; as so often, recognition marks the approach of a narrative conclusion.
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