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Nemesio Otaño: Unveiling the Epic of Spanish Early Music Nemesio Otaño: Unveiling the Epic of Spanish Early Music
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Higinio Anglès: Hispanidad Meets Pedrell Higinio Anglès: Hispanidad Meets Pedrell
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Julio Gómez: A Dissident Voice? Julio Gómez: A Dissident Voice?
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Notes Notes
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3 The Sound of Hispanidad: Reviewing Early Music
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Published:November 2016
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Abstract
This chapter discusses the role of music criticism and the musical press in disseminating Spanish early music as embodying Spain’s glorious past and a necessary force to help Spain accomplish its imperial role in the present and future, consonant with prevailing notions of Hispanidad. It focuses on three musicologists regularly writing for the musical press: Nemesio Otaño, member of the government apparatus and influential in disseminating notions of musical Hispanidad in his research and writings; Higinio Anglès, who as director of the Instituto Español de Musicología (IEM) had to downplay his past Catalan nationalist sympathies and adapt the historiographical narratives of his former teacher, Felipe Pedrell, to requirements from the new regime; and Julio Gómez, who, despite regarding musicology as a tool for national construction and being a self-confessed nationalist composer, regularly disagreed with the providentialist, triumphalist narrative of Spanish music history promoted by Otaño and the IEM.
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