
Contents
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Early Reception History Early Reception History
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Post 1927 Post 1927
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Prokofiev’s Influence on the Younger Generation Prokofiev’s Influence on the Younger Generation
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2 Prokofiev and the Development of Soviet Composition in the 1920s and 1930s
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Published:March 2020
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Abstract
Chapter 2 examines the influence and reception history of Prokofiev’s music in his homeland from the 1920s until his death in 1953—a subject of absorbing interest for the light it sheds on the factors shaping Soviet musical creativity during the Stalinist period. His output became central to discussions of the ways in which Soviet composition could and should develop. However, Soviet responses to Prokofiev’s work were complex; it was regarded by some as evincing traits that were to be repudiated, and by others as displaying approaches worthy of emulation. The source materials consulted for this chapter include the contemporary musicological and periodical literature, as well as letters, diaries, and reminiscences of Prokofiev’s colleagues. The chapter also draws on unpublished archival documents from the late Soviet period, among them the reminiscences of Evgeny Golubev, Olga Lamm, and Iulian Krein.
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