
Published online:
18 June 2020
Published in print:
02 July 2020
Online ISBN:
9780197507278
Print ISBN:
9780197507247
Contents
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Introduction Introduction
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Music Cases Music Cases
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Painting Cases Painting Cases
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An Objection: How to Distinguish between Ethically and Artistically Relevant Contextual Properties? An Objection: How to Distinguish between Ethically and Artistically Relevant Contextual Properties?
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Artistic Empiricism Revisited Artistic Empiricism Revisited
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The Significance of Motivation The Significance of Motivation
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A Different Understanding of the Relevance of the Artist’s Persona A Different Understanding of the Relevance of the Artist’s Persona
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A Different Test for the Relevance of Moral Character A Different Test for the Relevance of Moral Character
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Chapter
8 On Separating the Art and the Artist: Artistic Creation, Moral Character, and Ethical Criticism
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Pages
213–242
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Published:June 2020
Cite
Nannicelli, Ted, 'On Separating the Art and the Artist: Artistic Creation, Moral Character, and Ethical Criticism', Artistic Creation and Ethical Criticism (New York , 2020; online edn, Oxford Academic, 18 June 2020), https://doi.org/10.1093/oso/9780197507247.003.0009, accessed 26 Apr. 2025.
Abstract
This chapter works through a number of cases featuring well-known musicians and painters—Michael Jackson, Miles Davis, Gord Downie, Richard Wagner, Paul Gauguin, Graham Ovenden, and Jackson Pollock—to try to answer the question about when and how artists’ moral character ought to bear upon the ethical and artistic appraisal of their work. The chapter rejects the empiricist view that some aspect of the artist’s character must be manifest in the work, arguing, instead, on the basis of an analogy with virtue ethics, that the ethical status of the artist’s motivation in creating the work is relevant to an appraisal of it.
Keywords:
art, artist, moral character, artistic character, virtue aesthetics, Michael Jackson, Miles Davis, Jackson Pollock
Subject
Aesthetics and Philosophy of Art
Collection:
Oxford Scholarship Online
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