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The epilogue examines the events that unfolded when an unusual confluence of events placed a top música típica band on the stage of Canada’s premier salsa festival only weeks after the Panamanian soccer team had scored its first ever and only goal in a World Cup match. Describing the series of in-the-moment decisions that occurred during the course of the performance, the stage-side discussion of the musicians longing for a genuine change to the standard baile routine, and the response of Panamanian festival goers who were still high on the strong feelings of national pride produced by their small country’s entry into one of the world’s most important sporting events, the author shows that when it comes to its capacity to represent the nation, some of the reasons why música típica has not caught on widely outside the country, indeed, the significant barriers to international fame that it has historically encountered are, at the same time, the very features that for Panamanians makes música típica el baile del pueblo.
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