
Contents
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3.1 The Perspective from Below: Brendan Behan (1923–1964) 3.1 The Perspective from Below: Brendan Behan (1923–1964)
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3.1.1 Farce and Farts: The Quare Fellow 3.1.1 Farce and Farts: The Quare Fellow
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3.1.2 Irish Martyr and Borstal Scout 3.1.2 Irish Martyr and Borstal Scout
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3.2 Ken Saro-Wiwa: Prison Satires in a Neocolonial Setting 3.2 Ken Saro-Wiwa: Prison Satires in a Neocolonial Setting
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3.3 Breyten Breytenbach: Parable and the Sublimation of the Prison Experience in Language 3.3 Breyten Breytenbach: Parable and the Sublimation of the Prison Experience in Language
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3.4 Summary 3.4 Summary
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3 Poeta in Vinculis II: The Twentieth Century
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Published:August 2019
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Abstract
Continuing the contrast between personal accounts of imprisonment and fictional elaborations of carceralities, Chapter 3 concentrates on the twentieth century and on (post)colonial contexts. The three authors discussed at length are Brendan Behan, the Irish dramatist; Ken Saro-Wiwa, the Nigerian author and ecological activist; and Breyten Breytenbach, the South African poet. Whereas Behan’s and Saro-Wiwa’s autobiographical texts, at least on the surface, appear to be quite reliable, i.e. factual, accounts of their imprisonment, their literary work, just like Breytenbach’s, is highly allusive, ironic, and allegorical; they model the carceral experience through distortive lenses of comedy, farce, satire, or parable. The chapter also emphasizes the use of the prison and legal criminalization as major political strategies of discrimination against (ethnic and other) minorities as well as political dissidents.
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