Modernism and Non-Translation
Modernism and Non-Translation
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Abstract
Modernism and Non-Translation proposes a new way of reading key modernist texts, including the work of canonical figures such as T. S. Eliot, James Joyce, and Ezra Pound. The topic of this book is the incorporation of untranslated fragments from various languages within modernist writing. It explores non-translation in modernist fiction, poetry, and other forms, with a principally European focus. The intention is to begin to answer a question that demands collective expertise: what are the aesthetic and cultural implications of non-translation for modernist literature? How did non-translation shape the poetics, and cultural politics, of some of the most important writers of this period? Twelve essays by leading scholars of modernism explore American, British, and Irish texts, alongside major French and German writers, and the wider modernist recovery of Classical languages. They explore non-translation from the dual perspectives of both ‘insider’ and ‘outsider’, unsettling that false opposition, and articulating in the process their individuality of expression and experience. The range explored indicates something of the reach and vitality of the matter of translation—and specifically non-translation—across a selection of poetry, fiction, and non-fictional prose, while focusing on mainly canonical voices. Offering a series of case studies, the volume aims to encourage further exploration of connections across languages and among writers. Together, the collection seeks to provoke and extend debate on the aesthetic, cultural, political, and conceptual dimensions of non-translation as an important yet hitherto neglected facet of modernism, helping to redefine our understanding of that movement. It demonstrates the rich possibilities of reading modernism through instances of non-translation.
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Front Matter
- 1 An Introduction to Modernist Non-Translation
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2
‘The patient, passionate little cahier’: French in Henry James’s Notebooks
Daniel Karlin
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3
The Protean Ptyx: Nonsense, Non-Translation, and Word Magic in Mallarmé’s ‘Sonnet en yx’
Dennis Duncan
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4
‘Orts, Scraps, and Fragments’: Translation, Non-Translation, and the Fragments of Ancient Greece
Nora Goldschmidt
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5
The Direct Method: Ezra Pound, Non-Translation, and the International Future
Rebecca Beasley
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6
‘I like the Spanish title’: William Carlos Williams’s Al Que Quiere!
Peter Robinson
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7
‘The passionate moment’: Untranslated Quotation in Pound and Eliot
Stephen Romer
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8
‘Making Strange’: Non-Translation in The Waste Land
Jason Harding
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9
‘Subrisio Saltat.’: Translating the Acrobat in Rainer Maria Rilke’s Duino Elegies
Caitríona Ní Dhúill
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10
‘Bloom, nodding, said he perfectly understood’: James Joyce and the Meanings of Translation
Scarlett Baron
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11
‘There being more languages to start with than were absolutely necessary’: James Joyce’s Ulysses and English as a World Language
John Nash
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12
Translating Artaud and Non-Translation
Alexandra Lukes
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End Matter
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