
Published online:
17 December 2020
Published in print:
11 February 2021
Online ISBN:
9780190915131
Print ISBN:
9780190915094
Contents
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Early Career Early Career
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Evolution of the Oboe World Evolution of the Oboe World
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On Unfilled Orchestra Positions On Unfilled Orchestra Positions
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Teaching Philosophy Teaching Philosophy
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Breathing Breathing
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Intervallic Placement Intervallic Placement
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Long Tones Long Tones
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Technical Practice Technical Practice
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Articulation Articulation
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Vibrato Vibrato
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Reeds Reeds
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Gouging Machines Gouging Machines
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Listening Listening
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On Teaching On Teaching
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Cite
Fiala, Michele, 'Richard Killmer', Great Oboists on Music and Musicianship (New York , 2021; online edn, Oxford Academic, 17 Dec. 2020), https://doi.org/10.1093/oso/9780190915094.003.0015, accessed 13 May 2025.
Abstract
Professor of oboe at the Eastman School of Music, Richard Killmer was principal oboist of the St. Paul Chamber Orchestra for eleven years. In this interview, he talks about his early career and observations on the evolution of the oboe world. He discusses his teaching philosophy and shares specifics on breathing, intervallic placement, long tones, and articulation. He shares tips for technical practice and his ideas on vibrato and reeds. Killmer shares stories of his experience in helping to design the Ross gouge, and he talks about his inspirations.
Keywords:
Richard Killmer, oboe, Eastman School, teaching, breathing, gouger, articulation, technique, vibrato, reed
Subject
Applied Music
Collection:
Oxford Scholarship Online
Great Oboists on Music and Musicianship. Michele L. Fiala and Martin Schuring, Oxford University Press (2021).
© Oxford University Press. DOI: 10.1093/oso/9780190915094.001.0001.
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