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7 Concluding remarks
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Published:April 2008
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Abstract
Through its emphasis on experimental cognitive psychology and approach to classical music as ‘high art’, the old 1980s paradigm for music psychology failed to point out the social, emotional, and financial value that music has to the general public going about their everyday lives. The topics of research that the social and applied paradigm leads to may be new to music psychology but in fact have been a concern to society for centuries now. It is surprising then that other topics dominated music psychology until only recently. But social psychological and applied issues are now at the heart of the discipline. This chapter states a hope and belief that the social and applied psychology of music is well placed to put the case for the defence of music as a cherished object in 21st-century society.
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