
Published online:
01 May 2008
Published in print:
09 December 2004
Online ISBN:
9780191713880
Print ISBN:
9780198166474
Contents
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I. ROMANTIC NATIONALISM I. ROMANTIC NATIONALISM
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The ancien régime The ancien régime
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The artist as hero The artist as hero
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The rise of Germany as a musical power The rise of Germany as a musical power
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II. THE SYMPHONIC TRADITION II. THE SYMPHONIC TRADITION
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The expansion of ‘first movement’ form The expansion of ‘first movement’ form
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Thematic transformation Thematic transformation
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Liszt Liszt
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Later forms Later forms
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III. WAGNER AND THE VERNACULAR III. WAGNER AND THE VERNACULAR
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The operatic background The operatic background
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The debt to Liszt The debt to Liszt
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The Wagnerizing of the vernacular The Wagnerizing of the vernacular
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Ladders of thirds Ladders of thirds
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Tonality Tonality
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Conclusion Conclusion
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Cite
van der Merwe, Peter, 'Romanticism', Roots of the Classical: The Popular Origins of Western Music (Oxford , 2004; online edn, Oxford Academic, 1 May 2008), https://doi.org/10.1093/acprof:oso/9780198166474.003.0015, accessed 25 Apr. 2025.
Abstract
This chapter deals with those strains in 19th-century music that would seem to be furthest removed from the vernacular discussed in the previous chapter. It begins with a general discussion of musical nationalism and its relation to Romanticism, then proceeds to the mainly Teutonic symphonic tradition, which was generally at odds the tendencies of the time but sometimes in harmony with them. Finally, Wagner's musical language and its relation to the vernacular is analyzed.
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