
Contents
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Background Background
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Bibles, psalms, and prayer-books Bibles, psalms, and prayer-books
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Puritanism and pietism Puritanism and pietism
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Early dissenting hymnody Early dissenting hymnody
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The Methodist Revival The Methodist Revival
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Williams Pantycelyn Williams Pantycelyn
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The Methodist hymn 1750–1800 The Methodist hymn 1750–1800
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Baptists and Unitarians Baptists and Unitarians
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Ann Griffiths Ann Griffiths
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Nineteenth-century developments Nineteenth-century developments
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Hymn-singing Hymn-singing
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Revivalists and revivalism Revivalists and revivalism
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9 The Evolution of the Welsh Hymn
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Published:March 2011
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Abstract
Chapter 9 traces the development of the Welsh hymn from its first steps among the dissenters of the late seventeenth and early eighteenth centuries, through the hymn explosion of the second half of the eighteenth century under the influence of the evangelical revival, to the role of the hymn in the increasingly institutionalized life and worship of the nonconformist chapel in the nineteenth century and the great flowering of the Welsh hymn-tune in the Victorian and Edwardian period. In this period Wales became known as the ‘Land of Song’ and the cymanfa ganu (‘hymn-singing festival’) became a badge of cultural identity for Welsh communities world-wide. Particular attention is given to William Williams of Pantycelyn (1717–91), the growing influence of Calvinistic Methodism on dissenting worship, efforts to improve congregational singing, theological changes, and the growth of holiness and revivalist movements, culminating in the 1904–5 Revival.
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