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Many generous people have helped me write this book, proffering an abundance of practical and psychological support. My research has been aided by numerous individuals and institutions: Luiz Fernando Lopes, Emma Dederick, and Carmen Téllez (former director) of the Latin American Music Center at Indiana University; Thomas L. Riis, director of the American Music Research Center at the University of Colorado, Boulder; Jenny Romero of the Margaret Herrick Library at the Academy of Motion Picture Arts and Sciences; George Boziwick, Jonathan Hiam, and Charles Perrier of the New York Public Library for the Performing Arts; Patricia Baughman and Walter Svonchenko of the Library of Congress in Washington, D.C.; Jeffrey Wheeler of the Philadelphia Free Library; Nell Aronoff of the Library of the Museum of Modern Art (MoMA); Jean Henry of the Gallery Archives of the National Gallery of Art; Tom Akins, former archivist of the Indianapolis Symphony; Margaret Mair of the Hartt School of Music (University of Hartford); Norma Palomino and Valería Cancer of the Archive of the Instituto Torcuato di Tella (Buenos Aires); and Silvia Glocer of the Biblioteca Nacional (Buenos Aires). For many months the library staff at Michigan State University, especially Mark Andrews and Greg Lamb, satisfied my seemingly insatiable desire for difficult-to-obtain microfilms, while Mary Black Junttonnen of the Fine Arts Library (Music) was similarly helpful in many ways.
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