
Contents
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Anti-Communist Attacks Anti-Communist Attacks
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The 1958 USSR Tour The 1958 USSR Tour
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After the Tour After the Tour
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Mounting Disillusionment Mounting Disillusionment
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The Eleventh Symphony as Cold War Testimonial The Eleventh Symphony as Cold War Testimonial
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3 The Disillusioned Nationalist: Roy Harris
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Published:June 2018
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Abstract
This chapter looks at the Cold War experience of leading Americanist composer Roy Harris. Harris is a complicated case because although he held politically progressive views, he participated in creating an image for himself that aligned with a more conservative, exceptionalist nationalism. This contradiction between his personal politics and the politics his image projected was mostly sustainable during the 1930s and 1940s, when leftist attitudes and exceptionalist nationalism were not considered entirely incompatible. But during the first decades of the Cold War, a period in which Harris felt increasingly alienated from mainstream American values, it engendered a personal and aesthetic crisis. This crisis is assessed through an examination of Harris’s writings, music, and cultural diplomacy work during this period, including an analysis of his Symphony no. 11 (1967).
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