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Lafayette, Brillac, and the Fiction of the Romance of Consciousness Lafayette, Brillac, and the Fiction of the Romance of Consciousness
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Desjardins and the Fiction of Adventuring Anti-Romance Desjardins and the Fiction of Adventuring Anti-Romance
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Scarron, Furetière, and the Fiction of Comic City Romance Scarron, Furetière, and the Fiction of Comic City Romance
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23 Classical French Fiction and the Restoration Novel
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Published:October 2017
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Abstract
This chapter considers the ways in which Restoration fiction in England adopted and adapted the shorter new styles of French from the later seventeenth century. Three forms of English prose fiction were particularly indebted to these new French styles: first, the novel of consciousness, usually tragic, derived largely from the works of Madame de Lafayette; second, the novel of adventure – usually comic, amatory, and in female voice – derived from those of Madame de Villedieu; third, the novel of comic city romance derived from the works of Paul Scarron and Antoine Furetière. Across these forms, Aphra Behn proved the most consistently intelligent English writer to experiment with the varieties of fictional voice and style that French fiction offered. Yet while few other writers matched Behn’s aesthetic success, French influence was pervasive in shaping the energetic, performative, cosmopolitan English prose fiction of the later seventeenth century.
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