John Skelton and Poetic Authority: Defining the Liberty to Speak
John Skelton and Poetic Authority: Defining the Liberty to Speak
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Abstract
This book is the first book-length study of Skelton for almost twenty years (including the only substantial study to date of Skelton's translation of the Bibliotheca Historica of Diodorus Siculus), and the first to trace the roots of his poetic theory to his practice as a writer and translator. It demonstrates that much of what has been found challenging in his work may be attributed to his attempt to reconcile existing views of the poet's role in society with discoveries about the writing process itself. The result is a highly idiosyncratic poetics that locates the poet's authority decisively within his own person, yet at the same time predicates his ‘liberty to speak’ upon the existence of an engaged, imaginative audience. Skelton is frequently treated as a maverick, but this book places his theory and practice firmly in the context of later sixteenth as well as 15th-century traditions. Focusing on his relations with both past and present readers, it reassesses his place in the English literary canon.
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Front Matter
- Introduction
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1
Titular Identity: orator regius, poet laureate, and vates
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2
Amplifying Memory: The Bibliotheca Historica of Diodorus Siculus
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3
‘A false abstracte cometh from a fals concrete’: Representation and Misrepresentation in The Bowge of Court and Magnyfycence
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4
‘Shredis of sentence’: Imitation and Interpretation in Speke Parrot
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5
Diverting Authorities: The Glosses to Speke Parrot, A Replycacion, and A Garlande of Laurell
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6
All in the Mind: Inspiration, Improvisation, and the Fantasy in Magnyfycence and A Replycacion
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7
Rewriting the Record: Skelton's Posthumous Reputation
- Conclusion
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End Matter
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