Strange Country: Modernity and Nationhood in Irish Writing since 1790
Published:
25 February 1999
Online ISBN:
9780191674389
Print ISBN:
9780198184904
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Contents
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The Irish Character in Print The Irish Character in Print
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Occultism and Folklore Occultism and Folklore
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The Crowd; 6 October 1789 Again The Crowd; 6 October 1789 Again
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James Clarence Mangan’S Afterlife, 1850–1925 James Clarence Mangan’S Afterlife, 1850–1925
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Synge: the Mob, the Community, the Hero Synge: the Mob, the Community, the Hero
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Chapter
THREE Control of Types, Types of Control: The Gothic, the Occult, the Crowd
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Pages
100–144
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Published:25 February 1999
Cite
Deane, Seamus, 'Control of Types, Types of Control: The Gothic, the Occult, the Crowd', Strange Country: Modernity and Nationhood in Irish Writing since 1790 (Oxford , 1999; online edn, Oxford Academic, 3 Oct. 2011), https://doi.org/10.1093/acprof:oso/9780198184904.003.0003, accessed 11 July 2026.
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Abstract
The first section of this chapter considers the Irish character in print, looking largely at Charlotte Brooke’s and James Hardiman’s works. The second section explores occultism and folklore, suggesting ways of pursuing the Celt as one of those historically produced ideas that claim for itself freedom from history. The third section considers the literature surrounding the events of the French Revolution, noting what happened on October 6 1789. The fourth section examines the works of James Clarence Mangan.
Keywords:
Gothic, occultism, James Hardiman, Charlotte Brooke, Celt, French Revolution, October 1789, James Mangan, crowd theory
Collection:
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