Abstract

The 1619 Project, directed by Nikole Hannah-Jones, may well be doing more harm than good. By amputating the history of Indigenous Americans, by broadly ignoring the central roles played by Black women and queers in the centuries-long struggle for equality, and by failing to address US Blacks whose ancestries do not come out of the Middle Passage, The 1619 Project is replacing one series of ghastly untruths with new ones.

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