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Volume 9, Issue 3, 1 December 2016
Original Articles
Bustin’ Bonaparte: A Post-Apartheid Adaptation of Olive Schreiner’s The Story of an African Farm
Sophie Christman Lavin
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 259–283, https://doi.org/10.1093/adaptation/apw023
Adapting Female Agency: Rape in The Outrage and Rashōmon
Erik R. Lofgren
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 284–306, https://doi.org/10.1093/adaptation/apw024
Winter in the Blood: A Case for Maintaining Cultural Content in Adaptations of Indigenous Stories
Amy S. Fatzinger
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 307–327, https://doi.org/10.1093/adaptation/apw025
The Matter of Literary Memory: Virginia Woolf’s Mrs. Dalloway and Ian McEwan’s Saturday
Lindsay Starck
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 328–344, https://doi.org/10.1093/adaptation/apw028
‘Bakhtinian Contextuality’ in Adaptation Studies: Screen Robinson Subverting the Source
Seda Öz
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 345–361, https://doi.org/10.1093/adaptation/apw029
From Peril to Pity: The Transformations of Mr. Wu
Wendy Gan
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 362–376, https://doi.org/10.1093/adaptation/apw031
Spooky Jane: Women, History, and Horror in Death Comes to Pemberley
Camilla Nelson
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 377–392, https://doi.org/10.1093/adaptation/apw035
Intertextual Dialogism with Rossetti’s Lady Lilith in The French Lieutenant’s Woman
Joon Hyung Park
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 393–416, https://doi.org/10.1093/adaptation/apw036
ADAPTATION ESSAY PRIZE ENTRY
Transmedia Adaptation, or the Kinesthetics of Scott Pilgrim Vs. The World
Lida Zeitlin Wu
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 417–427, https://doi.org/10.1093/adaptation/apw033
Book Reviews
Gordon E. Slethaug. Adaptation Theory and Criticism: Postmodern Literature and Cinema in the USA
R. Barton Palmer
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 428–430, https://doi.org/10.1093/adaptation/apw026
Karen E. Laird. The Art of Adapting Victorian Literature, 1848–1920: Dramatizing Jane Eyre, David Copperfield, and The Woman in White
Benjamin Poore
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 431–433, https://doi.org/10.1093/adaptation/apw030
Film Reviews
Wheatley’s Progress: High-Rise (2015) and the Burden of Ballard
Kevin M. Flanagan
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 434–438, https://doi.org/10.1093/adaptation/apw032
The Revenant’s Returns
Kyle Meikle
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 439–441, https://doi.org/10.1093/adaptation/apw034
Cover
Front_Cover
Adaptation, Volume 9, Issue 3, 1 December 2016, Page NP, https://doi.org/10.1093/adaptation/apw019
Back_Cover
Adaptation, Volume 9, Issue 3, 1 December 2016, Page NP, https://doi.org/10.1093/adaptation/apw017
Standing Material
Editorial_Board
Adaptation, Volume 9, Issue 3, 1 December 2016, Page NP, https://doi.org/10.1093/adaptation/apw018
Instructions_to_Authors
Adaptation, Volume 9, Issue 3, 1 December 2016, Page NP, https://doi.org/10.1093/adaptation/apw020
Subscriptions
Adaptation, Volume 9, Issue 3, 1 December 2016, Page NP, https://doi.org/10.1093/adaptation/apw021
Table_of_Contents
Adaptation, Volume 9, Issue 3, 1 December 2016, Page NP, https://doi.org/10.1093/adaptation/apw022
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