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Stephen Greer, Queer (Mis)recognition in the BBC’s Sherlock, Adaptation, Volume 8, Issue 1, March 2015, Pages 50–67, https://doi.org/10.1093/adaptation/apu039
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Abstract
This essay considers the representation of sexuality and male intimacy in Steven Moffat and Mark Gatiss’ BBC series Sherlock. Noting a contemporary emphasis on visibility as a paradigm for the televisual depiction of non-heterosexual identities, I read Moffat and Gatiss’ adaptation of Arthur Conan Doyle’s Sherlock Holmes stories in respect of a late Victorian epistemology of knowledge centred on what can be ‘seen’ alongside Eve Sedgwick’s account of the homosocial as a space in which relations between men remain heavily freighted. In doing so, I argue that the broadly post-homophobic cultural space imagined within Sherlock presents new questions for the depiction and reception of same-sex desire and relationships between men.