Abstract

In adapting the Enola Holmes book series, the Netflix films rework the figure of the girl sleuth to suit a new generation of feminist viewers. They also provide a deeper exploration of power and the risks of trying to improve a world resistant to change. Netflix also amplifies the stories’ feminism by rehabilitating the ‘toxic’ male figure of Holmes himself.

This article is published and distributed under the terms of the Oxford University Press, Standard Journals Publication Model (https://dbpia.nl.go.kr/pages/standard-publication-reuse-rights)
You do not currently have access to this article.